Posts Tagged ‘Lea Seydoux’

SPECTRE-Film-Stills-05872

If you believe the reports, Daniel Craig is definitely done playing James Bond. Unless you believe the other reports that he definitely intends to return for the final film in his contract.

That type of behind-the-scenes uncertainly wouldn’t normally be an issue, especially for a franchise where perpetual casting changes are built into the machine, but for the fact that in Spectre, Craig et al deliver a film that very much feels like the final chapter in a Bond quadrilogy.

There’s a gravitational pull with most franchises to deliver the movie that Ties It All Together™, and more often than not its an impulse best avoided. Such is the case with Spectre, which attempts to retcon all of Craig’s villains – Le Chifre, Mr. White, Dominic Greene and Silva — into a shadowy organization headed by Hannes Oberhauser (Chistoph Waltz), a figure with a mysterious tie to Bond’s past.

But before you can say “Wait…how?” the film skips off to Tangier in an attempt to distract you with beautiful women, beautiful locales and beautiful fights on a train so that you’re too occupied to question how Oberhauser could have possibly orchestrated the events of Casino Royale, Quantum of Solace and Skyfall. For one thing, QUANTUM already gave us one shadowy organization, which now was a subsidiary? Is this a Bond movie or a quarterly earnings report?

It’s par for the course of Spectre, in which THINGS HAPPEN out of necessity, with little time spent on the “why?” of it all. There are plots and subplots, villains and sub-villains, but they’re parceled out like a paint-by-numbers book as the film follows the establish Bond formula established decades ago (the introduction of Andrew Scott as a drone- and surveillance-minded head of British security intent on shutting down MI6 is the definition of an afterthought).

And that’s a shame, because the Daniel Craig era has been marked by an overall sense of freshness and experimentation. Beginning with Casino Royale (still the strongest entry of Craig’s time in the tux, IMHO) the four films have enjoyed a sense of unpredictability, even while calling back to the tried-and-true aspects of the cherished (by many, myself included) franchise. Spectre, on the other hand, is quite predictable, from the car chase in Act I, to the love interest in Act II and the Big Twist Reveal in Act III.

None of this is to say that Spectre is a bad film, it is not. The visuals are delightful (the film opens with a beautiful tracking shot meandering through Day of the Dead celebrations in Mexico) and the introduction of classic bond elements like Moneypenny and Q that began with Skyfall continue to pay dividends as the new era of the Bond Team develops. The female characters in Spectre (you know, the Bond Girls) are also more developed than their predecessors, with Lea Seydoux in particular offering more than just a pretty face.

Spectre’s greatest challenge is its own success, coming off the heels of Skyfall and hearkening back to Casino Royale. It falls short of those elevated expectations, but continues the trend of overall quality that has defined the recent exploits of 007.

Grade: B

*Spectre opens nationwide on Friday, November 6

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